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The timber of the chancel and chancel aisles (Plate 97) are each of five bays. square) remain intact up to the springing of the arches; the similar E. pier is similar but almost entirely rechiselled; on the S.
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Pages 3-48An Inventory of the Historical Monuments in City of York, Volume 3, South west. of the Ouse formerly comprised seven intramural parishes, of which three extended outside the walls and between them covered most of the suburban area. Clement, which had given its name to Clementhorpe by the time of the Conquest, had become united to that of St. The plan prepared in 1866 and redrawn in 1908 shows the nave extending one bay further E. wall of small blocks of ashlar flanked by angle buttresses of which those to the E. The second and third arches are identical, with small voussoirs and of one large chamfered order. The pier, like that opposite, is probably of the 14th century. wall is built upon the early 13th-century aisle wall. Each truss has a tie-beam, a high collar, no ridge, three purlins on either side and kerb principals up to the collar. are moulded, with recesses for three bosses; the seventh has a central boss with a demi-angel; they belonged to a low-pitched cambered roof of the 15th century. wide, was seen passing under the tower added in .); it was augmented in 1338 by his son-in-law Richard de Briggenhall (Skaife MS.). side extended in connection with the chantry founded by Sir Richard Yorke at the altar of Our Lady (see glass in E. aisle) and with money from benefactions of 1492–1506 (SS, xci, 78–9; , xi, pt.
Originally published by Her Majesty's Stationery Office, London, 1972. Mary Bishophill Senior for taxation purposes by the early 14th century; the benefices were formally united in 1586 when the small parish of St. Martin in Micklegate, after a similar long period of effective union for taxation. Mary Bishophill Senior was demolished in 1963 ( Monument (9)). In 1448 Richard Toone, tanner, left one fother of lead for the roof, if begun within a few years. Masons' marks identical with those in the arcade opposite suggest a date in the early 15th century, perhaps incorporating reused material. The fourth pier has a circular chamfered abacus and bell cap with nail-head ornament and a bold necking. Fittings—, xx, 208); (3) three voussoirs from a doorway, each with circular medallion of conventional acanthus, and (4), set in pier, capital with hollow-chamfered abacus and acanthus decoration, all mid 12th-century (Plate 18). The early 14th-century arch leading from the chancel to the chapel at the E. Aisle is to be associated with the foundation of a chantry in 1320 by Richard de Toller ( and arcade, with the upper part of the tower, were rebuilt late in the 15th century.
Anne (Frontispiece), teaching the Virgin to read in a book inscribed 'D(omi)ne exaudi or(ati)onem mea(m) aurib(us) p(er)cipe ob(secre)ti(onem meam)' (, 1); (c) St. Upper range: (a) Adoration of the Magi, largely original; (b) Crucifixion, restored except for figure of St. grysely bees'; (7) Earthquakes (Plate 108), 'Ye seventh day howses mon fall Castels and towres and ilk a wall'; (8) Rocks and stones consumed, '[Ye viij day] ye roches & stanes [Sall bryn] togeder all at anes'; (9) Earth noises everywhere, '[Ye ix day] erth dyn [sall be Severally in ilk [contry]'; (10) Earth level again, '[Ye tende day for [to] neven Erthe sall be playne & even'; (11) Men come out of holes, '[Ye xj day] sall men come owte [Of their] holes & wende a bowte'; (12) Dead men's bones arise, 'Ye xij day sal dede mens banes Be sumen sett & ryse all at anes'; (13) Stars fall from Heaven (Plate 103) 'Ye thirtend day suthe sall Stevyns fra the heuen fall'; (14) Death of all living (Plate 103) 'Ye xiiij day all yat liues yan Sall dy bathe chylde man & woman;' (15) Universal Fire, 'Ye xv day yus sall betyde Ye werlde sall bryn on ilk a syde'. In upper range: (4) Feeding the Hungry; (5) Giving drink to the Thirsty; (6) Entertaining the Stranger. The main panels set in background of quarries within wide borders, an unusually early example of such treatment; middle light with border of castles and cups, and outer lights with vine scrolls; quarries, some original, with oak sprays. At foot, in side lights, groups of kneeling donors: E., priest, civilian and woman, scroll inscribed 'libera nos' and, over the second, a shield with 'R' impaling a , recorded in 17th century as James Baguley, Rector (1413–40), and Robert Chapman (Free, 1423) and wife (the arms of Baguley of Baguley survived in 1659); W., woman between two men. Michael in plate armour, with scroll inscribed 'laudantes a(n)i(m)as suscipe [san]cta Trinitas'; face stolen 1842 and replaced in plain glass; (2) arms of Whytehead, perhaps old, reset 1861; (3) St. window and two groups of donors below; of the latter that from the E. Table, small, frame and top of soft wood, mainly 17th-century, with two consoles, early 18th-century, and some tracery, possibly mediaeval. This church of 1962–4 includes re-erected parts of the structure of the demolished church of St. (5) Parish (former Priory) Church of Holy Trinity (Plates 12, 117), stands on the S.
Christopher (Plate 104), bearing the Infant Christ, round his head a scroll inscribed 'Cristofori d(omi)n(u)s sedeo qui crimina tollo'. wall; date probably between 14; moved by 1846, restored in 1844 by Wailes of Newcastle, who supplied in new glass most of lower part of window and all tracery lights; cleaned and releaded 1966. John; (c) Coronation of the Virgin, largely original (Plate 102); tall canopies at heads of main lights, including geometrical traceries, and borders largely of old glass (Plate 107); tracery lights almost entirely 19th-century but some of background of oak leaves and part of figure of St. In the Tracery lights: (W.) reception of the Blessed by St. Main Canopies, not belonging, perhaps slightly later than main panels (Plate 107). Thomas the Apostle, with scroll inscribed 'D(omi)n(u)s meus et deus meus'; Christ bearing cross-staff with pennon, with scroll inscribed 'Thoma [ten]dite manu(m) manu(m) i(n) latus meu(m) qui no(n) viderunt'; archbishop, probably St. Medallions containing angels and grotesque figures playing musical instruments in upper parts of main lights and in tracery. John the Evangelist (Plate 105) in richly embroidered garment powdered with letters 'J' and 'M', with scroll inscribed 'benedictus sit sermo oris tui'. Probably the original glazing of 1425–40 (between 18 the figure of St. side of a large churchyard, the mediaeval layfolks' cemetery, fronting on Micklegate. The main gatehouse of the priory was erected during the 13th century at the entrance from Micklegate to Priory Street. by 57½ ft.) was aisled, of five bays with a square E.
This free content was digitised by double rekeying and sponsored by English Heritage. There are now no monumental remains of the churches of St. Within the suburban area were two chapels-of-ease, both to the parish of Holy Trinity (or St. James on The Mount, all trace of which has gone, and Dringhouses ( Monument (11)). aisle, and glazing of the windows in both aisles continued until Architectural Description) was already complete. piers of the nave arcades both have a rare mason's mark found on other early 15th-century buildings in York. The arms of Gilliot on a boss on the chancel roof refer to John Gilyot, Rector 1467–1472/3 (Borthwick Inst., Register of George Neville, ff. The third pier has a square abacus with octagonal capital and similar base with bold angle stops. The base has two flattened rolls on a square plinth. Loose in church, (5) capitals, moulded stones, etc. : two; treble inscribed '1731 SS EBOR', for Samuel Smith II, founder, Chamberlain of York 1713, Sheriff 1723–4, buried in Holy Trinity 1731; tenor, undated, inscribed ' IHC campana: Beate: Marie: Iohannes: Potter: me fecit', 14th-century. 1' (John Burton, 1697–1771, antiquary and physician, published , vol. wall, (3) Anastasia, eldest daughter of Thomas Strickland Standish, 1807, with lozenge-of-arms of Standish quartering Strickland; on S. to W., (4) Ann, wife of Christopher Danby, 1615, cartouche; (5) William Fryer, solicitor, 1838, children Thomas and William, and Elizabeth, wife, 1842; (6) Margaret, daughter of John Peers, wife of John Stanhope, 1637; (7) Jane, widow of Thomas Yorke of Halton Place, 1840, white marble slab with pediment and arms of Yorke impaling Reay, signed Skelton; (8) Mrs. The tower is notable as the only 12th-century example surviving in York; the upper stage is a rare example of work carried out in the period of Parliamentarian control after the victory of Marston Moor.